Tea staining

I did some of my own paper tea staining. I used water colour paper.

 I used wet and slightly wrung out tea bags as stamps ...

and left some to soak right in...

 I used a white candle as a resist to make a subtle border and then dipped an entire page in tea.

 I realised if left to its own devices the tea seems to dry quite evenly and so put plastic on after dipping this sheet to draw the tea thicker where there is contact with the plastic.

 I wanted to stain this small piece of wallpaper and so tried to use it as a stencil at the same time.

 I also stained some white lace I had bought and used it as a sort of stencil too.

 Here is a before and after effect of some white and some tea stained lace.

 I used a cut out of mary and her lamb to put candle wax down as a resist and stain around it. The subtlety of the white and brown feels aged.

 Slightly more challenging was my attempt at stretching a stained piece of paper around an embroidery frame...it gets worn and a bit torn but I am trying to decide whether or not that is in fact more desirable in my context of making an old-looking nostalgic-feeling object.

 The feeling of an old fashioned frame with aged content goes nicely with my nursery rhyme theme, i think. It allows for illustration format.

Artea

http://whatemmadid.com/wp-content/uploads/2011/02/tea2.jpeg

http://www.teamuse.com/article_080501.html

Tea stain just has the right look, even before connotations of beautifully crafted old tea pots and lacey gloves begin to surface. It is the colour and fade of age. Old books, old clothes, old buildings...

Old for its age

Once fired there were a few pieces which are starting to get that old feel to them. 

I particularly like the effect of shiny recesses with matte "worn-looking" raised areas.

Sugar, Spice, Oxide, Glaze

I have been trying to figure out what the "look" I am trying to accomplish is. It seems to be a tea-stained-like effect. Cracks, fades, matte and shiny in places where an object wouldn't be worn out over years of use...

I tried some variations with oxides and glazes, putting to use the feel I've developed of their different "looks" in my experimentation with ceramics.

 Some I painted with oxides and then lifted the colour off of the raised areas.
Some I glazed a light brown glaze over the oxide layer.
Some I clear glazed over the oxide and then lifted it such that only the recesses were left shiny.

 The pieces where the clay was quite dry before being pressed came out in a subtly cracked texture.

Sugar and Spice and All things nice

While using Rhino CAD to try and get a more believable text, I took the opportunity to incorporate it into my  thaumatropes. 

I designed and cut two sides of the spinner into plaster of paris and then used them as a double sided press mold.

ConTEXT

Because I wanted to make use of a specific kind of font, I turned to the CAD design program Rhino and with it made a plater of paris press mold. I used the words Sugar and Spice breaking them down into "Sugar", "&" and "Spice"

I tried to use glazes and underglazes and oxides in a way that would end up looking old and a bit worn.

The drier the clay before I pressed it, the more "cracks" it had. I am drawn to this look. It reminds me of old ruins and aging book covers or overused dry leather.

I glazed some and left others to be matte.

I found the oxides to be much stronger than anticipated which resulted in a burnt-like appearance. This itself is quite effective in the right dosage.

What Mary and her lamb look like

Illustrators seem to take liberty in altering this nursery rhyme in particular. It seems to allow for comedic elements as well as cynicism through word play.

Here the sender has personalised the rhyme by replacing Mary with Delia. 

The contrast of the printed rhyme with the seemingly personal handwriting feels rich in a sort of personal and sentimental character. 

Artist: Agnes Richardson

Artist: C. Ryan

Publisher: P. O. P Amusement Co

What do nursery rhymes look like?

I have been looking at some variations in the illustrations of my chosen nursery rhymes.
Here are some for  Mary,Mary...

Artist: Millicent Sowerby

Publisher: Humphry Milford

In some of the examples the reverse side of the post cards on which the illustrations are found are also provided. The stains, smudges and fade of the writing seem to make it look that much older and more precious. 

Knowing that the illustration was accompanied by a letter also brings new stories to the cards and new sentimentality. There is potential for a general connotation of the rhyme, and then a further personal connotation for the people to and from whom the card was sent.

Artist: Flora White

Publisher: J. Salmon

Publisher: National Art Co

Through a lense...

In order to evaluate and speak about my own work, it will be helpful to do so from a certain perspective. I need to look at my work through the filter of what I am/was trying to achieve. My chosen lense/filter at the moment is to look for the answer to this question:
How did I make piece which feel old and precious?

What are little boys made of?

What are little boys made of?

Snips and snails and puppy dogs tails

that's what little boys are made of.

What are little girls made of?

Sugar and spice and all things nice

that's what little girls are made of.

This poem is from the early 19th century and is a quite blatant stereotyping of male and female roles in society at the time(and perhaps even now still.) 

It is part of a larger work called "What is the world made of" and goes on to say

What are young men made of, made of? 

What are young men made of? 

Sighs and leers and crocodile tears; 

That's what young men are made of.

What are young women made of, made of?

What are young women made of? 

Rings and jings and other fine things;

That's what young women are made of.

What are our fathers made of, made of? 

What are our fathers made of? 

Pipes and smoke and collars choke; 

That's what our fathers are made of.

What are our mothers made of, made of? 

What are our mothers made of? 

Ribbons and laces and sweet pretty faces; 

That's what our mothers are made of.

http://hopealexander.hubpages.com/hub/Sugar-and-Spice-And-all-Things-Manly

It definitely shaped my own early opinions of boys and girls. I thought I was a princess and acted accordingly, and forgave little boys their flaws because it was predisposed to them. I might be that way too had I the same ingredients.

Mary, Mary, quite contrary...

Mary Mary quite contrary,

how does your garden grow?

With silver bells

and cockleshells

and pretty maids all in a row.

This poem/nursery rhyme was written in the 1700s. There are multiple interpretations of what the poem was originally about, but most of them suggest that it is about Mary Tudor or "Bloody Mary," The "pretty maids" are said to refer to the guillotines used at the time. The silver bells and cockle shells were torture devices, and  the questioning of her garden's growth a jab at the fact that she had failed to produce an heir after many miscarriages.

These are, however, still just theories, and the poem has still managed to gain other more pleasant connotations such as it's referencing in the book "The Secret Garden." 
It is also thought by some to have been written about Mary Queen of Scots and the Catholicism of the time.

(see http://socyberty.com/history/the-gory-history-of-mary-mary-quite-contrary/, http://socyberty.com/folklore/the-tudor-origin-of-the-mary-mary-quite-contrary-nursery-rhyme/, http://www.mothergooseclub.com/rhymes_parent.php?id=117)

Mary Had a Little Lamb

Mary Had a Little Lamb

its fleece was white as snow

and everywhere that Mary went

the lamb was sure to go.

It followed her to school one day

which was against the rule.

It made the children laugh and play 

to see a lamb at school.

 Mary Had a Little Lamb was written by Victorian novelist and poet, Sarah Josepha Hale.

She is also known as one of the key petitioners in the creation of Thanksgiving day.

  "Today, she is considered the most prominent American woman engaged in literary enterprise in the mid-nineteenth century."- http://www.pabook.libraries.psu.edu/palitmap/bios/Hale__Sarah_Josepha.html 

Here is the letter Hale wrote to Abraham Lincoln requesting that Thanksgiving become a public holiday.

My Nursery Rhymes

As a child I was sung Nursery Rhymes as I was rocked to sleep on a wicker rocking chair which I am to inherrit oneday. I had the books. I had the records and tapes. Hearing them now reminds me of both the physical objects and of the events of my childhood.
It was probably as I was growing up that their own origins became apparent to me. As people began making films either based on the stories themselves, or in which they are told by one character to another, a new type of nostalgia seems to become attached. These stories were told to my parents as children, and their parents, and their parents, and so if illustrated or depicted, they might be stylised accordingly to the times.

From the long list of nursery rhymes I grew up with, I have chosen three to pursue and explore in greater detail.

• What are little boys made of?

• Mary had a little lamb &

• Mary, Mary, quite contrary

While all of the nursery rhymes I know are special to me, some feel especially personal. I feel a sense of ownership over them.